Dharma Library

A Book review

Of the art forms that are associated with Zen the writing of haiku is the most accessible. Surely anyone can write a brief three-line verse which pointedly does not rhyme. But it is not as easy as that; it requires a motivation to express what is arising and a self at ease to allow the clarity of that expression. The Redthread Sangha is a group of Zen practitioners who between…

Hughie Carroll presents the story of his pilgrimage to Ladakh in 2005.

Leaving

It is April 2005 when I hand back the keys to the landlord. The nest my wife and I had made was hard to leave. We have a last hug and I say goodbye to this woman who doesn’t want to be my wife any more. Most of my stuff is sold or given away and the tech job is over. I get in the car that my mate is going to drive to…

A few years ago, I was approached by the Headteacher in my school to ask if I would be interested in teaching Mindfulness to our students. I am a science teacher but was already known as a regular meditator and had ‘come out’ as a Buddhist at work by leading a Chapel service about Buddhism, so my Head felt I was best placed to lead this initiative in the school. When I replied that I didn’t really…

This book had been winking at me since the beginning of the year. For several years, Norman Fischer’s writing in Tricycle and elsewhere has been a source of pleasure to me. He writes lucidly and with a poet’s eye and phrase. Eventually, a couple of months after it was published, I gave in, bought this book, devoured it and then just reread it straight away. That’s rare for me. 

Its subtitle,…

Introduction 

In terms of our ceremonies, as lay practitioners, we only undertake a small part of what occurs in monastic communities, but, as with everything, we need to examine and question what it is that we actually do. We need to discover the larger sense of what constitutes our liturgy and to appreciate its place within the totality that is Chan Buddhism. Our liturgy reveals a history of…

I was initially drawn to Chan out of a sense of loneliness. Two acquaintances were already participants in the Bristol Chan group: Sarah Bird, whom I knew from yoga practice, and Sally Masheder, a neighbour and fellow GP. I liked them a lot and I wanted to get to know them better. I had started meditation but was searching for a method that suited me. I also wanted to protect the planet and people…

Because of your military background and Sandhurst voice,
Because of your wild white eyebrows, as mobile as eels,
Because I knew you before I knew you,
Because you could see with your third eye,
Because you saw me and smiled,
Because you said, ‘Are you ready for an adventure?’
Because I felt heard and known,
Because of your delight in chocolate biscuits,
Because of the predictability of cauliflower cheese…

In Chan practice everyone's experience of retreat and its processes are different. No two people sit exactly the same retreat and no two people follow the same personal path over the course of their Buddhist practice. On retreat, however, the group requires instruction and teachings that bring the Dharma to life so talks and lectures are designed for all practitioners in a general way. But because…

A feature of most Buddhist retreats and certainly an important part of our retreats is work practice. It is so natural an element of what we do that we do not think about the way the practice originated, and we certainly do not think about the Chan Master who instigated the practice as, originally, it was not a part of the activity of Buddhist monastics.

At the time of Buddha and in the Indian…

The spiritual path is seldom if ever straightforward. When we embark on our spiritual quest, we naturally engage the nature of the person that we are with the tasks that will present themselves to us along the way. The trials, tribulations and obstacles along the path are not an inherent element of the path itself but are the outcome of the way we personally interact with the requirements involved…